A new year, a new issue! As we mentioned, winning a Hugo Award at Magicon was very
flattering, but that surreal Saturday night at Magicon isn't really what we'll
remember most about Magicon. Meeting Walt and Madeleine Willis is. Walt and
Madeleine were part of the now almost legendary Irish Fandom (or IF) of the 1950s,
which also included Bob Shaw, James White, and the subject (and writer) of the
following remembrance...
George "All the Way" Charters is up
there, somewhere, sitting on a cloud, propeller beanie spinning, clutching his Max
Brand anthology. I met him for the first time on one of my early visits to Irish
Fandom's H.Q. at Oblique House, 170 Upper Newtownards Road in Belfast, in 1954. I
was 28 years of age then, and so to me he appeared quite old. Young people are apt
to underestimate the elderly, a gross error, because now that I am in that category
I do really still feel mostly in full possession of my mental and physical
faculties.

I hope he isn't constantly frowning
at the thought of my allusions to his old age in the many fables of Irish Fandom in
which he was always featured. He was venerable, of course, but mostly alert to the
ramifications of his surroundings. Even when I went 'over the top' in my
descriptions of his senility, he really enjoyed the allusions, especially in my
"Twilight of the Ghods" (in Hyphen 16, of 1956). The plot was suggested by
Walt and Madeleine Willis; Robert Heinlein had promised to visit Oblique House in
1956, and Walt and Madeleine were obviously enthralled at this prestigious visit and
desired to hire a butler for the evening...

George raised himself to a sitting
position, and, rapping his crutch against the wall, signified his intention of
wanting to take part in the conversation.

"Walt," he croaked, "I have held a
great variety of, er, occupations in my time, and it has, er, heh heh, always been
my ambition to be a, er, heh heh, butler. It would be the fulfillment of my, er,
wildest dream if I could, er, heh heh, butler on this most important occasion. Heh
heh."

This shook Willis, folks. I could
see that he didn't want to hurt George's feelings, as none of us did, but after all,
Robert Heinlein was a pretty important person.

"I'm sorry, George..." began Walt.
George looked downwards, a spasm of resignation flickering over his venerable form.
There was a silence for several seconds, and then Willis, doing the stupid thing and
letting sentiment overcome his common sense, gave a big sigh and nodded to
George.

With a terrific show of exuberance,
George gripped the side of his bath chair, staggered to his feet, and hobbled from
the room, cackling to himself happily.

A message was received that Heinlein's
plane had landed in Dublin instead of Belfast, and therefore he would not be visiting
Oblique House. In order not to disappoint George, Walt Willis decided to
impersonate Heinlein, George having poor eyesight. I was one of the first visitors,
and George was on duty, ready to receive Heinlein...

I felt quite proud when I saw George
the following night. He opened the door majestically to my ring, and I nearly
collapsed in the airlock at the sight of him. He looked like a penguin, his
remaining silver locks brushed back carefully over his pate.

"Welcome to Oblique House, sor," he
said, addressing the hallstand.

"It's me, George," I hissed.

It hit him like a physical blow.

"Third time tonight," he complained.
"How do I look?"

"I gotta hand it to you," I cringed,
pushing him gently out of the way as I passed, noting his red waistcoat and buckled
shoes.
# # # #

In his brief biography (in
Hyphen 16), George reveals he was born in County Roscommon in southern
Ireland in 1910. His second christian name initial is ‘L', and he quite wittily
alludes to the mystery of it (I have transposed third to first person):

Many people, and even fans, wonder
what the 'L' stands for. It is just not true that I was called 'Lancelot' because I
suffered so much from boils in my youth. Indeed, on this sore point no information
is forthcoming. Some think that because I stand over six feet tall the 'L' stands
for 'Longfellow'. Others think that the 'L' stands for 'Yngvi'...

He lists the titles of books he kept
as a young child, considering that Through Flood and Flame, King of the
Air, and The Second Form Master at St. Syril's might be categorised as
science fiction!

His interest in science fiction was
stimulated to such an extent that he describes traveling on a tram in Belfast when
he was a young man, and seeing the words MARTIAN HOSTEL on a building. It
registering slowly in his mind because he was reading an sf novel at the time. He
leapt off the tram, and discovered to his chagrin that it was the SAMARITAN
HOSPITAL.

Throughout the Second World War he
worked in an aircraft factory in Belfast, but studiously traced "...two trickles of
sf, Astounding and Unknown." In 1947, through the pages of
Wonder, he made contact with prominent English fans, and ultimately got in
touch with Irish Fandom.

# # # #

George was a supreme punster, well
suited to the cut and thrust of the rapid verbal interplay by members of IF, always
able to deliver many a bon mot of subtle sophistication. He was also a poet,
and in Grue 28 (in 1959), his poem on Ghoodminton was published, written in
the style of "Hiawatha." Herewith a quote...

In the finals of the contest,
"Ghoodminton," cried Walter Willis,
Walter Alexander Willis,
"We will show them how to do it
In the Walter Willis attic,
In the Willis fambly attic!"
From the pile of bats he picked one,
Tested it for imperfections,
Tried its balance, weighed it deftly,
Swung it round his head and shoulders
With the sure hand of the master;
Found it answered his requirements;
Sought and found the well-known trademark,
Showing it was made by Charters,
Master craftsman, master batman,
In his lonely little workshop
By the shores of Gitchee Goomee,
By the shining Big Sea Water.
|
|

A memorable pastiche.

# # # #

The final meeting of Irish Fandom
took place at Oblique House on 26th April 1965, attended by Walt and Madeleine
Willis, James White, Bob and Sadie Shaw, George Charters, and myself. I met George
quite regularly after that, until I left Belfast and returned to England in the
early seventies. George still worked at the same aircraft factory as previously
mentioned -- he had obtained the sinecure of working permanently on the night shift;
almost every week he called to see me in the evening before the commencement of his
nightly sojourn. I know his eyesight troubled him, yet he drove from his home in
Bangor to Belfast every night. He parked his car in a neighbour's drive, once,
unfortunately, when the neighbour was already parked there. We drank tea and ate
toast, and philosophised about the old days.

# # # #

In 1987, Walt Willis published a
special issue of Hyphen to commemorate the fortieth anniversary of the
founding of Irish Fandom, for which I wrote a story, "The Re-union." The plot
concerned my wish to hire an actor to impersonate George and call at Oblique House
so that we would have a complete attendance at a commemorative meeting. Three other
members of IF had the same idea, resulting in four pseudo George Charters appearing
at the meeting. At the end of the amazing scenario, Walt Willis bade us all sit
down...

Suddenly something like an electric
shock ran up my legs, up my spine. My hair stood rampant; tears sprang to my eyes.
The other three also sat transfixed. There was a sudden chill in the air, followed
by a warmth that somehow seemed relaxing...happy...familiar?
We looked at each other, eyes blinking
in astonishment. "Gentlemen," said Walt, his voice firmly under control, "we are
complete."

That story came from my heart.

# # # #

George Charters upheld the finer
Victorian principles of kindness, modesty, and thoughtfulness, and was polite and
chivalrous to women (he wasn't married!). He saw and appreciated the best in
everyone, and was always a stalwart of Irish Fandom.

All illustrations by Kurt Erichsen
|